Perspective is my ongoing series of short essays, an effort to share thought leadership, not only finished work. Using everyday observations such as a teacup, a roundabout, or a prehistoric tool, I explore what design does when it is working: turning complexity into clarity, making care visible, and building systems that stay human across digital and tactile experiences, especially in an era shaped by AI.

So Takahashi So Takahashi

Judgment Is Not Decoration

Leonard Koren's Wabi-Sabi for Artists, Designers, Poets & Philosophers has lived on my bedside table for years. I read it when something feels off. When I have been thinking in English and Norwegian too long.

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So Takahashi So Takahashi

The Fifty-Year Question

My Apple laptop sits beside me, perfectly capable hardware, abandoned by its operating system. It didn't break.

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So Takahashi So Takahashi

Where AI belongs.

Last week, while vibe coding, creating real time interactions between gesture and sound through code.

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So Takahashi So Takahashi

Every cover is an argument.

I've been looking at the many editions of Haruki Murakami's Norwegian Wood in Japanese, American, European, the same novel, reimagined dozens of times.

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So Takahashi So Takahashi

Is Taste the core skill now?

Is Taste the core skill now?
AI is getting very good at producing what already looks right. That's exactly why judgment matters more.

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So Takahashi So Takahashi

Who's Authoring You?

My relationship with music started as a hunt. You'd discover an artist through a magazine, a friend's tip, or a concert and then commit by buying the album

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So Takahashi So Takahashi

Kyouzon / 共存

When two multidisciplinary designers set out to collaborate, we expected great design. What emerged was something neither of us anticipated.

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So Takahashi So Takahashi

Design That Waits

The Greenland flag worked silently for 40 years. Designed in 1985 by Thue Christiansen, a simple disk offset on a bicolor field representing sun rising over ice, it did its job without fanfare.

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